Another summer break, another excuse to try something different. For good or ill I'm finding it hard to disassociate my black and white street work on film from my New Europe project. Using my camera has become synonymous with a certain way of working (which I've commented on at length!) so a trip to North America was an opportunity to use mobile/digital/colour in a new way. This combination actually got me started again in London a few years ago after a quiet period. Perhaps it was the more relaxed vibe of the city but I wasn't driven in the same way in Vancouver as I am in other cities. It made for a more deliberate approach which for me is not a bad thing.
I've shied away from this style as I - arrogantly to be honest - find it hard to make it individual to me and not too generic. However using a mobile phone without changing any settings pre or post let me work in the fluid way I enjoy with my camera (that in the moment thing) and feel more excited about the making process as well as the resulting picture. Yes I still like to see them as two separate parts!
They are still one-off pictures in a travelogue style but in the same way I've built a narrative around my more recent work it's perhaps a way of looking at other ideas. Short stories, not novels.READ MORE
I've been pursuing a style of photography now called street for a number of years. A south Londoner by birth I am pre-occupied with the West End and spend too much time there taking black and white pictures on film. I nurture a hope that one day London will be recognised like Paris, New York and Tokyo as a great city of street photography but secretly like the fact that it is still the underdog. For someone who enjoys the solitary practice of his work I am surprisingly talkative about it - although not at the same time. Here's a collection of idle musings and distracting links.
These posts are a sample of my current blog PORTRAIT OF A STREET PHOTOGRAPHER. There are 10 years of posts so please visit!